Prometheus ( film) - Wikipedia
uzveli.info, one of the most popular free dating sites in the UK. Free online dating with profile search and messaging. giving: The venue's name & postcode; The recital's date and day, Only organ recitals in Britain (excluding the Channel Islands and the Scilly Isles) can be listed. Search for "organ recitals" or "organ recital" on google or bing or yahoo and e.g. for cinema/theatre organ concerts or anniversary recitals. Prometheus is a science fiction film directed by Ridley Scott, written by Jon Spaihts and Prometheus was released on June 1, , in the United Kingdom and on June 8, , in North America. .. A release date was scheduled for March 9, , but weeks later the release was postponed until June 8,
It was then that 20th Century Fox approached Cameron with a script for a crossover film that would pit the series's monsters against the title characters of the Predator films; this project became the science fiction film Alien vs. Fox was only interested in pursuing the project if Scott directed. The keen fan will recognize strands of Alien's DNA, so to speak, but the ideas tackled in this film are unique, large and provocative. We're exploring the future Space exploration in the future is going to evolve into this idea that it's not just about going out there and finding planets to build colonies.
It also has this inherent idea that the further we go out, the more we learn about ourselves. The characters in this movie are preoccupied with the idea: Spaihts offered his concept, including a "bridge" that would connect the story of the film's human characters to the Alien saga. Spaihts was quickly hired, which he credited to the reception of his "bridge" idea.
Spaihts claimed he created the concept spontaneously, without preconception. Spaihts wrote a page "extremely detailed outline"; within three and a half weeks he had completed his first draft, and he submitted it to the producers on Christmas Day, Within 12 hours, Scott returned the script with notes for changes, and Spaihts spent the Christmas holiday redrafting.
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He considered the mysteries of Alien to be alien in nature, and said, "all the mysteries have alien players: How do you make anyone care about events between creatures like this? He reminded Scott that in the scene they were discussing, the characters were subject to gravity and so could not simply float. And were the aliens designed as a form of biological warfare? Or biology that would go in and clean up a planet?
As a direct prequel to Alien, the story was shaped to lead into that film's story, and to recreate the familiar cues of that series,  and Scott wanted to avoid repeating his previous accomplishments. Good stories, you don't know where they're going to end.
Lindelof was hired to rewrite Jon Spaihts 's original script. Lindelof said that the other parts of the script were strong enough to survive without the Alien hallmarks, such as the Alien creature, which he believed had been diluted by the exposure it had received. It shouldn't be about that. It can be a part of this movie, but it shouldn't be what it's about. Lindelof met with the producers the following morning, and was hired shortly afterward in late In August and SeptemberLindelof spent almost five weeks writing his first draft, which he submitted in mid-September Lindelof said, Blade Runner might not have done well [financially] when it first came out, but people are still talking about it because it was infused with all these big ideas.
It was being driven by people who wanted the answers to huge questions.
But I thought that we could do that without ever getting too pretentious. Nobody wants to see a movie where people are floating in space talking about the meaning of life That was already present in [Spaihts's] original script and [Scott] just wanted to bring it up more. He also developed the theme that while the human crew is searching for their creators, David is already among its creators. Scott liked these ideas and further explored them in Lindelof's rewrite.
In Spaihts's draft, Shaw was directly responsible for the events of the plot because she wants to seek out potentially dangerous knowledge. As with David, Lindelof expanded this facet of the character during his rewrites. He spent approximately eight months developing the script, finishing in March as filming began. A team developed graphic designs for the film. One exception was made when a courier flew the script to one actor outside the US, and then stood guard while the actor read it.
Scott said, "I was insistent that the script not leak onto the internet, where it gets dissected out of context, which spoils it for everyone.
Even though we have remarkable digital capabilities I still say do it live. It commenced on July 11,at the base of Heklaan active volcano in southern Iceland. Speaking about working at the volcano, Scott said, "If one is afraid of nature in this profession then it would be best to find a different job".
Shooting areas included the complex's large water tank, and a nearby beach. Instead, he used various items so the actors would know where they should be looking in any particular scene on the practical sets where CGI elements would be inserted in post-production. The fifth rig used an Epic camera as a steadicamwhich was used only occasionally. Despite this being his first 3D film he found the process easy.
He said, "You can literally twiddle a knob and the depth will increase", and, "the trick is not to overdo it". Scott said he had a responsibility to 20th Century Fox to be able to present a PG cut of the film if the studio demanded, allowing it to be viewed by a wider potential audience.
Financially it makes quite a difference Prometheus soundtrack Marc Streitenfeldwho had worked with Scott on earlier projects, composed the musical score for Prometheus.
He used some unusual techniques to compose the score, and said, "I actually wrote out the sheet music backwards so the orchestra played it backwards and then I digitally flipped it. So you're hearing the score as it's written, the same melody, but with a backwards sounding orchestra which gives it a kind of unusual, unsettling sound.
His art team were tasked with deconstructing the art and visuals of Alien, and reverse-designing them for the chronologically earlier setting of Prometheus. Gigerand designers Ron Cobb and Chris Fossincluding their designs for that film which Scott had been unable to develop at the time. Scott said, "If I'm in and I'm going into space, why would I design a helmet that has blind spots. What I want is something where I have [vision]. Glass, by then, will be light and you won't be able to break it with a bullet.
The helmet's exterior featured a functional light source and high definition video cameras with a transmitter and recorder. His frequent collaborator, Janty Yatesused medical research concepts relating to skin replacement treatments and materials to develop a garment that would be believable, flexible and comfortable.
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The outfit comprised a neoprene suit worn under an outer space suit, a base to which the helmet could be attached, and a backpack. Ireland Delighted to have found this programme, it is excellent. I am organist of Donaghadee Parish Church. Co Down, North Ireland. I am hoping someday to visit Ireland, parly because some of my forebears came from there, and partly to hear some good Irish pipe organs. Montgomery, Alabama, United States Looking for places to buy pipe organ recordings.
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