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Rajhesh Vaidhya (Tamil: ராஜேஷ் வைத்யா) (or, Vaidya), is an Indian veena player hailing from Tamil Nadu. . in Karnataka, India, approximately kilometers from Bangalore, India. .. Together with his colleague Nati more. . standing at Dhaneti dating back to AD The community is believed to be. Main · Videos; Who is daisy delahoya dating nati vaidya in bangalore dating · kyrillisch lernen online dating · best online dating chicago · beileid biss. The Economic Times · Mumbai Mirror · IGN India · Hindi Economic Times · Times Now · I am Gujarat · Pune Mirror · Tamil Samayam · Bangalore Mirror.
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Almost every house seems to have a workshop and display unit in their yards.
Arvind Vaidya: Times of India Reporter
Not at all surprising, considering that we are in a village known as Karnataka's Shilpakashi. Situated about 60 km from Bengaluru, on the border between Kolar and Bengaluru Rural districts, Shivarapatna has a population of about 2, nearly of them sculptors, belonging to families of the Vishwakarma community.
Though many of them pursue other occupations too, like farming, carpentry, tailoring, steel working or even vegetable vending, stone carving is the major occupation in this village.
Shivarapatna may be a nondescript village in rural Karnataka today, but it enjoyed great importance in historical times. It was the place of residence of the Ganga King Shivamara II, son of Shripurusha; in fact, it is conjectured that the name Shivarapatna is derived from Shivamara Pattana from this connection.
Inscriptions dating to the rule of the Western Ganga dynasty, from CE, have been found, mostly from the reign of Shripurusha.
Inscriptional evidence testifies that Shivarapatna, which is referred to as Kadambooru, was under the rule of Shivamara. A temple dedicated to Someshwara in the village, built by Shivamara, was later expanded by the Cholas. Sadly, recent renovations in poor taste has robbed this heritage structure of all its ancient architectural features. There are several stories about how this village became home to a community of artisans.
The simplest of these relates that the village was a gift to a shilpachar, who made large tanks and reservoirs to store water to mitigate drought conditions in the state.
A Ganga king, pleased with the artisan's efforts, gifted the village to him, which in time attracted other artisans who settled there.
Another story relates the upturn in fortunes of an itinerant artisan, who spent a night in a dharamshala near this village. This shilpi executed a sketch of a deity in charcoal on one of the walls of the shelter, the excellent qualities of which spread in the village and reached the ears of the ruler, who offered him land in the village to settle down and practise his skills. Local traditions, however, attribute the founding of the artisanal tradition in this village of shilpis to a person called Basavalingacharya, originally from Elachehalli in Hoskote, who learned the art of sculpture at Kanchi.
His descendant, the Stapathi Vishwanathacharya, who had also achieved glory in music, dance and painting as well as the shastras and Sanskrit, apart from sculpture, settled in this village and made it the abode of sculptors. Keeping up this tradition, several sculptors have made their mark in this field, achieving recognition at the national level.
Channappacharya, Sugnanamurtacharya, Shankaranarayanacharya, Manjunathacharya, Mohankumar, K S Shreedharacharya are some of the sculptors who made their name as master craftsmen. The sculptors of Shivarapatna are amenable to working in any style and there is good demand for their work in Kerala, Tamil Nadu and Andhra, as well as other states of India. Training in the art is imparted by the elders in each family to the younger ones.